
The competition produced two series of posters for films: Impetigore and Pamali.
Impetigore
The poster illustrates the key conflict of the film: killing many people for the benefit of a particular group of individuals.


There was a creepy scene in the movie with a man’s skin hanging on the dryer. I was impressed and decided to make a poster.
Throughout the film, we find roots in different places at home. They are also a metaphor for breaking secrets from the past. It’s like they’re breaking through the iron walls of the bathroom.
Pamali
I’m caught up in having a huge number of kerosene lamps in the film. They create an atmosphere of horror.
The key part of this movie was the hair of the main character. They link her to the past and ruin her future.
The displacement of the soul makes a man feel disgusting, trying to rip off his skin, get back the old self. But it’s not always successful.