
The annual final exhibition of the School of Design «Great Disturbance» focuses on various aspects of chaos, from the local mess in the room to the rise of entropy in the world as a whole.

The exhibition’s anidentics are based on the image of the dot as a symbol of primary chaos: not destructive, but creative, as in philosophy and psychoanalysis. It’s the void from which everything comes: space, shape, consciousness. Visually, the point becomes the center from which the texts stretch as if they were drawn. Around us are elements inspired by technical printing: scope, signatures, tags, like we’re watching this «explosion» through a scientific interface. Aidethtics balance between system and disorder, creating a sense of structured disorientation.


A code is used to generate output lines from the centre, which can be used to adapt the required parameters in a flexible and fast-track manner.