To see Rome, seven slow roads. Tatiana Yang authorship project
This book will give you the opportunity to relive (or to experience for the first time if you have not been there) the piercing sense of Rome, far from its walls.
The author of the book is a famous Moscow painter, Tatiana Jan, for whom Rome has in recent years become the main source of inspiration in work and life.
Soft cover with valves, UV seal, sample polish, Emerald 300g paper
«The book continues the glorious tradition of texts about facts, feelings, and impressions shared with readers by such penetrating storytellers of the Silver Age as Pavel Muratov and Vernon Lee. It’s a kind of bead of individual stories, very personal and poetic. Each chapter and every stop is a graceful essay that has been melted into the trails of adorable travels among the stones of the Eternal City.» Sergei Cavtaradze / Architectural historian
The block — 240×165×20 mm Paper — SL Graphica Rough 120 hr Each section opens with a smooch — photos of architectural parts processed by sepia. Seven days, seven routes to an eternal city.
«Tatiana Jan is always a good weather in Rome. Here’s this book that’s addictive: it’s so nice to roll it, especially in the nasty, looking at paintings, drawings, pictures, diving into the rhythm of a text that matches the smooth flow of the Tibra. The book is built like a time machine capsule with a personal presence effect.» Dmitry Bavile / author
The book is two in one: and the guide and the album are full of drawings, paintings and photographs of the author, processed under septica, taking into account the tone of paper. == sync, corrected by elderman == @elder_man
The sections start in a turn-up with a quote, a route number. On the left and on the right, on the center of the strips, brown marks, on the side and on the top. There’s colonitols in the top field, there’s colonics downstairs.
If you accept that Tatiana Jan’s book about Rome is a guide, you have to admit that it’s a guide to the Carroll rabbit hole. You take the author’s hand, and you see the time bandages in front of you. Routes through the streets and squares are real here, but they’re not an end in themselves, but an invitation to talk, and the author has something to say. Every corner of Rome in the book breathes history, is inspired by meanings, a scoop of memories. The seven — day journey is a poem about the city and a recognition of its love. Victor Genke / historian, interpreter