Among the worlds. A book of love. A. Matissa I. Lucyanova
It’s a rich color that envelops its beauty. Blue Andrei Rublyova, Henri Matisse, Yves Klein
The sandcake looks out of the blue sky, unprotected and open.
Flowers are painted on the forsace from tears (UF varnish on tinted paper)
The title of the book goes beyond the book page, involving the reader in the book space, the reverse perspective. The space behind the book is part of the composition.
The Arabs of Mathissa are direct to their feelings. The book is printed in two colors. Blue / Beige. The first notebook of the block is coloured.
The multicolour is replaced by blue. By setting up a wave of love experiences. Ultramarine creates a rich space.
Matisse ' s first block of work
An introductory article by a large bagel, a page in the size of a paper sheet, paragraph indents in a selection, is marked by a paragraph sign. Monomanically, like a stone. Quotes of blue colours
The poems are like the flow of time, creating a sense of motion. Garamond Premier Pro maximizes the air filling the book space
Rhythm of lines, changing the variation of interliness, emphasizing hastyness, insistence or harmony of the verse
The poems, mixed with watermelons, create a sense of deja vu.
Sticking paper with different invoices and colours helps create a complex, memorized image
The lines from Annen’s poem are fragmented into illustration-turns, setting them up for news stories. Letters sound like energy pulsating between lovers.
Matisse’s second block of work
Poetry is surrounded by blue space. The poems are printed with warm paint, the lines emit the energy of warmth and sincerity.
The illustrative block is «The History of Love» in development. It’s divided into two stories. Focus on abstract spots, silhouettes, emotional reading of image
The designer paper effect is achieved with an offset, emphasis is placed on point of view and internal rhythm, without linking the number of pages in the notebooks.
Font, paper, pocket format — send us back to the Venetian publications of Alda Manutius, the perception of the senses of the Renaissance.
Aquarel interacts with the poem by combining it into a single image
Aerial font designs — Maximizing the ease of Garamond font is shaded by a giant Corbel
Illustrative accents of the book block visualized by blue at the end of the block
The box is painted inside the blue — the space of the ultramarine from which the book is removed
