
The subject of my work was born from the task of a curator: everyone had to pass on the character of BROM music through an object. I got nails — sharp, hard, broken like the music of the band itself. I see BROMA sounds as snoring, whistling, ripped, so I cut the font elements into small pieces and assembled them into a composition resembling the rhythm and sharpness of nails.


The color increased the sense of chaos and instability — the impression that everything was falling apart and going together. Zigzags, sharp lines, and fragmentation transmit broken rhythms and acute energy to music.