The exhibition project <laquo; Sun from left side» is dedicated to the image of the house as a place where it was once good, but something has changed, it’s broken. There’s a dominant memory here, in something that intervened and proved it, but not reworked completely.
The exhibition center — documentary about my family. The family appears in the the film is not in the species of specific people bound by affinity, and as a general image: this is how the universal is expressed through personal expression. I want to reflect the feeling of incoherence, horror, and the awkwardness of the outside world and the hustling of a foreign home, where I’m you’re running on the the threshold.
Documentary film «The Sun on the Left»
This film is a collage of video notes that I filmed in hometown before leaving for a little while. I wanted to take a look at the familiar faces, landscapes and events with the camera to capture images that are as vague as in the dream. I feel like I’m in contact, but I feel like I’m in touch, but I’m in touch, and I’m in touch, and I’m in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I’m out in, and I can only look through binoculars.
I thought if I filmed it, I’d be closer to my family. But it’s got to be that the filter in 'nbsp; the view of the camera has only exacerbated the situation of isolated surveillance. I’m always looking at, but not a mutual person. On fitting little pieces of reality was transformed into the visual sequence of the images, which is calculated at the levels of sensations and associations.
In the film was also broadcast in in specially collected installation. It arises as a continuation of the film. The images that are playing in the hall are projected on the the splinters of mirrors and then from the the fragments are projected on the walls.
The film is complemented by objects inspired by images from stories written by road to home and home. They’re — silent stories rhyming with each other with friend and creating an extra layer of untold stories.
Zin «Black and White»
Zin is made up of prints in a hummochromat printing technique. == sync, corrected by elderman == @elder_man On the handycam disc was left with a little space and me decided to take pictures of everything that hits us: Mom, dad, brothers, their legs passing trees, cars behind us, the way…
Black and White, 2024, Humbychromate
Black and White, 2024, Humbychromate
The cover is covered with coal, so on the exhibit those who licked the book inevitably left their mark in they left their mark.
«Black and White» printed series
Black and White, 2024, Humbychromate
The series — supplement to the selected images are printed on the separate sheets. The damage to the image is sent simultaneously to the digital noise of old cameras and x the image of a slippery or designed memory.
Black and White, 2024, Humbychromate
Eagle Nest
The needles are assembled into the shape of the nest using cold welding.
«fly» series
In work done in cyanotype technique, Baikal ice and the piggyback plane connects in one painting. In my hometown has resumed the work of the Defense Department and now planes fly very often over the roofs. I can imagine how huge and sombre they can be over houses, and how small and how lonely they can be over Baikal’s ice.
«Loop-up rope» facility
«Frozen» on the frost of the sheets froze at the moment the underwear was cut off. They have yet to fall completely, and the transition is frozen. The installation continues to be the subject of breakage of the day-to-day space.
«Message»
A phone call that has no voice and faces become a symbol of unspeakability, attempts to connect, but in it is a risk to remain misunderstood. Focus is directed at the phone sounds that become distant, as if echo from the past or impossible place.
Opening
HSE ART GALLERY 17/05/24 — 23/06/24 Photo: Rita Umnova
